The enchantment of Cuba on the big screen
Cuba has always had a unique allure in cinema. Its cobblestone streets, vintage cars, colonial architecture and Caribbean beaches have made the island one of the most captivating locations for the big screen. From Hollywood films to independent productions, Cuba is often depicted as an exotic, mysterious, and historically rich place.
Major international productions have emphasized the romantic and nostalgic side of the island, showcasing cigars, salsa music and revolution. However, beyond these portrayals, Cuba has developed a film industry with a strong identity. Cuban cinema, influenced by Italian neorealism and Latin American social cinema, has always stood out for its narrative and political engagement.
In the 1960s, with the founding of the ICAIC (Cuban Institute of Cinematographic Art and Industry), the country experienced a golden season of national cinema, producing films that are still considered masterpieces today. This cinematic movement allowed Cuba to tell its own stories from within, giving voice to authentic narratives and social issues.
Today, despite economic challenges, Cuba remains a natural set for films of all genres. Its cinematic charm endures over time, turning every corner of the island into a story waiting to be told.
Cuban films that tell the island’s story from within
Beyond the international productions that have used Cuba as an exotic backdrop, Cuban cinema has played a crucial role in portraying the true essence of the island. Through stories deeply connected to the country's social and political reality, it has given a unique voice to Cuba, offering an authentic perspective on its life and culture.
Memorias del Subdesarrollo (1968)
Considered one of the most important Cuban films of all time, Memorias del Subdesarrollo by Tomás Gutiérrez Alea explores the period after the Revolution through the eyes of a bourgeois intellectual. The protagonist, unable to adapt to the changes, observes the new society from a detached perspective. The film highlights the contradictions of revolutionary Cuba, offering a deep reflection on belonging and social transformation.
Lucía (1968)
Directed by Humberto Solás, Lucía tells the story of three different historical periods in Cuba through the eyes of three women with the same name. Each episode represents a crucial phase in the country’s struggle and social evolution: the colonial era, the 1933 revolution, and the post-revolutionary period. The film is a powerful portrait of the role of women in Cuban society and their emancipation over time.
Fresa y Chocolate (1993)
One of Cuba’s most internationally acclaimed films, Fresa y Chocolate, also by Tomás Gutiérrez Alea, addresses themes of intolerance and acceptance in the Cuba of the 1990s. The story revolves around the friendship between a young communist and a homosexual artist, highlighting the conflicts between ideology, tradition, and personal freedom. The film marks an important moment in the debate on diversity and civil rights in Cuba.
Suite Habana (2003)
With Suite Habana, director Fernando Pérez creates a poetic portrait of everyday life in Havana. Without dialogue and with stunning cinematography, the film follows the stories of various residents of the capital, from children to the elderly, from workers to artists. It is a work that captures both the beauty and melancholy of the city, offering an authentic look at contemporary Cuban life.
Despite economic challenges and restrictions imposed by the embargo, Cuban cinema continues to produce valuable works. Directors like Fernando Pérez and Pavel Giroud carry on a cinematic tradition that blends realism and poetry, showing the world a side of Cuba often ignored by international media.
Through its films, Cuba tells its own story, revealing its contradictions, beauty, and complexity with an intimate and authentic perspective.
Cuba in international cinema
Cuba has fascinated filmmakers worldwide, becoming the setting for stories of revolution, exile, and adventure. International films have often depicted the island by alternating between reality and myth, blending propaganda, romance, and social critique.
I am Cuba (1964) – The soviet vision of the island
Directed by Russian filmmaker Mikhail Kalatozov, I am Cuba is a visually stunning film that celebrates the Cuban Revolution. Funded by the Soviet Union, the film portrays the poverty and injustice under Batista’s regime and the people’s fight for freedom. Despite its propagandistic intent, the film's remarkable cinematography and innovative camerawork have earned it a cult following worldwide.
Havana (1990) – The myth of pre-revolutionary Cuba
In Havana, Sydney Pollack recreates the decadent charm of 1958 Havana, on the eve of the Cuban Revolution. Robert Redford plays an American gambler who becomes entangled in the political turmoil that will change the island’s fate. The film presents a Cuba of casinos, luxury and corruption, reinforcing the nostalgic myth of the “Pearl of the Caribbean” before Castro’s rule. Shot in the Dominican Republic due to the embargo, the film offers a romanticized and somewhat idealized vision of the island.
Before Night Falls (2000) – Cuba through literature
Based on the autobiography of Cuban writer Reinaldo Arenas, Before Night Falls, directed by Julian Schnabel, explores cultural repression and homophobia in post-revolutionary Cuba. Javier Bardem delivers a powerful performance as Arenas, portraying the harsh reality of an artist persecuted for his homosexuality and dissident views. The film offers a critical perspective on the Cuban Revolution, shedding light on an aspect of the regime rarely addressed in mainstream cinema.
Che: Part One & Che: Part Two (2008) – The revolutionary myth
Divided into two parts, Che: Part One and Che: Part Two, Steven Soderbergh’s film chronicles the life of Ernesto "Che" Guevara, from the Cuban Revolution to his death in Bolivia. Featuring a compelling performance by Benicio del Toro, the film aims for historical accuracy while avoiding the usual Hollywood mythologizing. Although some scenes are set in Cuba, the movie was primarily filmed in Spain and Mexico due to logistical and political restrictions.
From revolutionary celebration to regime criticism, international cinema has portrayed Cuba in various ways, merging historical reality with collective imagination. The island remains an endless source of inspiration, a place where myth and reality intertwine on the big screen.
Iconic locations: Cuba, a natural film set
With its colonial architecture, vintage cars, and tropical landscapes, Cuba is an open-air film set. The island’s unique scenery has inspired filmmakers worldwide, serving as the perfect backdrop for stories of adventure, revolution, and passion. Some locations, in particular, have become iconic thanks to their presence on the big screen.
Havana: the timeless city
With its cobblestone streets, historic buildings, and the famous Malecón, Havana is Cuba’s cinematic heart. Its seafront boulevard has appeared in countless films, offering stunning ocean views and an electric atmosphere. The Old Town, a UNESCO World Heritage Site, has been featured in movies like I Am Cuba (1964) and The Fate of the Furious (2017), both of which captured the city’s authentic essence.
Trinidad: a step back in time
Considered one of Cuba’s best-preserved colonial cities, Trinidad is a true cinematic gem. Its pastel-colored houses and cobblestone streets provide the perfect setting for period films. The town is frequently chosen for productions that aim to depict Cuba’s history without the need for elaborate set constructions.
Viñales: rural Cuba
Located in the province of Pinar del Río, the Viñales Valley is known for its dramatic limestone formations called mogotes. This region, famous for tobacco farming, has been used for documentaries and films showcasing Cuba’s rural authenticity. Che: Part Two (2008) utilized similar landscapes to recreate the natural settings traversed by the revolutionary icon.
Cayo Largo and dreamlike beaches
The crystal-clear waters and white sandy beaches of Cayo Largo have served as the backdrop for numerous films and commercials. Nearby islands like Cayo Coco and Cayo Guillermo have also been used for filming scenes that capture Cuba’s paradisiacal side. Their untouched beauty makes them ideal locations for adventure films and romantic stories.
Thanks to its incredible variety of landscapes and unique atmosphere, Cuba remains one of the most captivating film locations in the world. Every corner of the island has a story to tell and a perfect setting to offer.
What Does the Future Hold for Cuban Cinema?
Cuban cinema has experienced both moments of greatness and periods of struggle, but today it faces new opportunities. International co-productions are opening up the industry, allowing filmmakers like Fernando Pérez (Suite Habana) and Ernesto Daranas (Conducta) to present a modern vision of Cuba.
The Havana Film Festival remains a key platform for the island’s cinema, while streaming services are giving greater visibility to independent productions. However, challenges related to censorship and distribution still persist.
The future of Cuban cinema will depend on its ability to evolve while staying true to its identity. If it can adapt to global changes, Cuba will continue to be an endless source of stories for the big screen.
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